A modest but quirky collection defined by forbearance amid life’s left turns.
One Tacoma bar and the dozen or so people who were there on St. Patrick's Day 1968 inspire this linked set of seriocomic stories that hopscotches across a half-century.
This collection from Wiley (Bob Stevenson, 2016, etc.) emphasizes unlikely transformations over time—and, as the title suggests, the role of place in those transformations. And though Wiley juggles plenty of characters, he has a light touch that's fitting for a book rooted in the free-wheeling '60s in a small Northwest city. Establishing a dramatis personae in the opening story, "Your Life Should Have Meaning on the Day You Die," his remaining 13 tales mostly address the ensuing years, with some recurring characters. Philosophy professor Earl loses his grip on his lover, Mary, who’s more interested in the Tacoma house where The Hand That Rocks the Cradle was filmed. Andy, a lawyer, can’t shake his obsession with a former student, serial killer Ted Bundy, to the point of buying his home. Mary works at the car dealership run by Lars, who in 1977 watched his marriage collapse and relationship with his father crater; 32 years later he falls for his father’s Eritrean caretaker. And though Mary was the bartender everyone lusted over back in the day, by 2011 she’s single and suffering through an eHarmony date. Though there’s little in the way of an arc, there’s a strong feeling of a shared generational struggle, and Wiley is at his best when playing up his cohort’s peculiarities. Teacher Ralph visits the home of a former student, whose “life-size and perfect likeness” of her late father sits on the back deck; a vibrator becomes a prop for a French farce of a double date. Wiley’s characters occasionally utter only-in-literary-fiction lines (“Who is the me that I want Earl to see if the me he sees isn’t me?” Mary laments). But mostly he delivers a realistic sense of things not turning out as planned.
A modest but quirky collection defined by forbearance amid life’s left turns.Pub Date: Feb. 12, 2019
ISBN: 978-1-942658-54-2
Page Count: 272
Publisher: Bellevue Literary Press
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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