by Richard Wright ‧ RELEASE DATE: Sept. 22, 1954
An American Negro reports on the revolution of Africa's Gold Coast. He sees the results of those forces of geography that made the country fabulously rich in raw materials, prey to British imperialism (after the Swedes, the Portuguese, the Germans, the Dutch, the French had taken their turns). The text is intensely personal as he shares his own fascination, revulsion, doubts, convictions; as he gives vivid word pictures of successive areas; as he senses- now discarding- now accepting- the surge of nationalism that must, he says, be aided by the West or Russia will take the initiative. The West has failed, abysmally, in resisting literacy or progress, in wishing to maintain the status quo. His journeys everywhere traced the rising power of Nhrumah the prime minister and leader of the Convention People's Party. The fusion of tribalism with modern politics makes strange bedfellows. Protestantism, Catholicism, modern politics and a smattering of Marxism merge to fill the vacuum left by British suzerainty. The British close their eyes to what is happening. Richard Wright visits Accra, as guest of the leader. He goes with Battling Kojo, former middleweight, into the hinter-land-jungles, mining camp, village of the Ashantis, "palaces" of chiefs, lumber camps, industrialized Takoradi. He understands how primitive symbols can be misinterpreted. It is a wholly different portrait of Africa from that in other books about the Dark Continent. It may frighten — but it must be accepted as an important if sometimes difficult contribution.
Pub Date: Sept. 22, 1954
ISBN: 0060925663
Page Count: 456
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Sept. 1, 1954
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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