by Richard Zacks ‧ RELEASE DATE: March 13, 2012
A nuanced, comprehensive portrait of unique man and the surrounding period, culture and political system.
Zacks (The Pirate Coast: Thomas Jefferson, the First Marines, and the Secret Mission of 1805, 2005, etc.) returns with a sharply focused look at Theodore Roosevelt’s brief tenure as a New York City police commissioner.
The author begins and ends with allusions to the naked goddess Diana perched atop Madison Square Garden—his symbol for the sensual interests of New Yorkers that Roosevelt was intent on controlling, if not diminishing to the vanishing point. Zacks sketches the anti-vice career of crusading preacher Charles H. Parkhurst, whose efforts Roosevelt supported and broadened. The incredibly energetic Roosevelt worked long daylight hours and then, often, patrolled the streets at night, checking up on cops to see who was sleeping, drinking, whoring and otherwise neglecting his duty. Frequently accompanying and guiding Roosevelt was journalist Jacob Riis, whose pioneering photo-journalistic How the Other Half Lives highlighted the economic extremities endured by many in the city. As Zacks points out, Roosevelt had initial popular and journalistic support for his efforts at vice control, but when he began devoting many police resources (and lots of political capital) to enforcing blue laws, both the press and the public began to turn against him. Because many workers had only Sundays off, the dry-on-Sunday policy made many working men and women very unhappy. As the political sands shifted beneath him, Roosevelt redoubled his efforts, alienating more voters, and began seeking ways out of his increasingly stressful and polarizing position. Relief came when newly elected President McKinley appointed him the assistant secretary of the Navy. The author takes us inside fin-de-siècle brothels and bars, Tammany Hall and courtrooms, contentious commissioners’ meetings and cops’ barracks.
A nuanced, comprehensive portrait of unique man and the surrounding period, culture and political system.Pub Date: March 13, 2012
ISBN: 978-0-385-51972-4
Page Count: 448
Publisher: Doubleday
Review Posted Online: Dec. 4, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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PROFILES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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