An intermittently insightful but narrowly focused examination of a marriage that will mostly interest devoted Moody fans.
The acclaimed writer reflects on the hardships he and his second wife endured during their first year of marriage.
Readers familiar with Moody’s (Hotels of North America, 2015, etc.) fiction, especially The Ice Storm, will be drawn to this memoir about the complicated arenas of love and marriage. The opening lines are attention grabbing: “In order to have a second marriage you can believe in you may have to fail at your first marriage. I failed spectacularly at mine.” He goes on to vividly recount the events that triggered his “spectacular failure,” specifically his extramarital relationships, which led to divorce. By the time he met visual artist Laurel Nakadate, the author was approaching his 50s. Having shared some of his past emotional baggage, he assures readers that he is ready to pursue a fully committed relationship, and his month-by-month narrative initially seems to prove his conviction. Moody has a seasoned eye for capturing intriguing details and nuance in a variety of settings, and he brilliantly highlights the competitively hip Park Slope, Brooklyn, arts scene. Yet his story is rambling and often digressive, and as a document of his marriage, it feels surprisingly self-absorbed. Moody writes affectionately of his new wife and continually praises her talent, but he fails to bring Laurel into focus as a fully fleshed-out individual. Her suffering is tangible, primarily in her efforts to make it through a full-term pregnancy, but her presence is peripheral to the deeper internal struggle the author experiences. Dying parents and friends, infertility issues, and a household robbery are among the events they faced in their first year together. “Total up some of the hardships, reader, and ask yourself how we could possibly continue,” writes Moody. All of these are difficult challenges but ones that are not uncommon (other than the robbery) for someone in their 50s. The author ends on a positive note as the couple seems to have achieved a longed-for contentment.
An intermittently insightful but narrowly focused examination of a marriage that will mostly interest devoted Moody fans.Pub Date: Aug. 26, 2019
ISBN: 978-1-62779-844-0
Page Count: 320
Publisher: Henry Holt
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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