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DRAFTED

A collection of details that might appeal to military history buffs.

Veteran illustrator Parker presents a graphic novel about his three years in the army during the late 1960s.

After a brief family history (he was an only child born to hardworking parents in 1940s Georgia, raised mainly by his bedridden grandmother, who instilled in him a love of comic strips), the artistically inclined Parker explains how flunking out of junior college led to his getting drafted by the Army and entering the strange world of military life as a 19-year-old. Parker narrates his experiences with sly humor and self-deprecation, capturing his overwhelm and isolation in the face of extremes both physical (pushups, running, simulated combat) and psychological (rigid rules for addressing others, for the size of bites at dinner, for who can walk on the sidewalk). With a keen eye for detail, Parker captures the process of spit-shining combat boots, and with a keen ear for storytelling, he reveals the gruesome aftermath of a drunk-driving accident. Parker eventually enters officer and artillery training—more from a general competency rather than any particular skill—and these developments keep him from being deployed to active combat in Vietnam. He stumbles through a series of responsibilities like training with German soldiers and organizing a military funeral. His interest in drawing recurs, as when he’s recruited to draw naked women for the walls of a makeshift officer’s pub, but it doesn’t develop into an arc. Parker hits humorous and emotional beats via skilled cartooning (exaggerated facial expression, outsized physicality), though his linework can feel caught between simple and intricate, with the weight of some lines flattening out details and rendering figures unappealingly stiff. Parker makes a pleasant narrator of his extreme experiences, but the work doesn’t coalesce into a larger statement on war or art or self.

A collection of details that might appeal to military history buffs.

Pub Date: Sept. 24, 2024

ISBN: 9781419761591

Page Count: 256

Publisher: Abrams ComicArts

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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