From Sports Illustrated writer Reilly, easily the wittiest golf novel yet—the Bull Durham of the genre, and the closest thing to Caddyshack on paper we're likely to get. The golf-book genre usually falls into two categories: bios of the game's great players, first, and quasi-spiritual agons, second, such as Steven Pressfield's The Legend of Bagger Vance (1995), in which sulking has-been linksters return to the fairways to redeem themselves. The former are written for golfers who like to read, the latter for readers who like to golf. Reilly's debut, however, stands on its own, with a gaggle of loopy characters plucked off the country's municipal courses. They have nicknames like Two Down, Thud, Crowbar, and Stick, and their course is a dogpatch strip called Ponky, where the hazards aren't sand and water but abandoned cars and shopping carts. Stick, a.k.a. Raymond Hart, is a fine golfer who's allowed his talent to decline into lethargy, whiling away his days trying to fleece his golf buddies (the ``Chops''). But his life is irrevocably altered when unexpected damage to a hedge reveals an enticing view of the Mayflower, the original snooty WASP haven. The men become consumed by the private Mayflower's perfectly manicured expanse and create a sizable betting pool to reward the first of their brethren managing to play a full 18 holes. Ray should win in a stroll; his father, unbeknownst to the other Chops, is a Mayflower member. But Ray has Oedipal problems, so he vacillates over asking his Old Man for a round. Meanwhile, his buddies devise increasingly elaborate schemes to snare the dough. The first half of the book ends with the winning of the bet. The second involves Ray's love life and a grudge match with his father. A loving, knowledgeable, laugh-out-loud portrait of the Hardest Sport There Is, as practiced by the blue-collar rakes who compose golf's most devoted fans. (Author tour)
Pub Date: June 8, 1996
ISBN: 0-385-47443-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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