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THE LOST HERO

From the Heroes of Olympus series , Vol. 1

“Not again!” yells one of the three protagonists at one point in Rick Riordan’s first installment of his second five-book series that fuses Classical mythology with everyday teen angst. Readers may be forgiven if they’ve been feeling déjà vu from page one of this overlong and underedited retread.

The three protagonists in question are Leo Valdez, son of a mechanic and the god Hephaestus, Piper McLean, daughter of a Cherokee movie star and the goddess Aphrodite, and Jason, son of Jupiter—come again? Yes, Riordan mixes it up between the Romans and the Greeks, playing further on his central, winning conceit that the gods have moved west over the centuries with the center of civilization. Jason has a serious identity crisis. In addition to speaking Latin instead of Greek and bearing the Imperial “SPQR” tattoo, he really has no idea who he is. Readers will know where he is, though. In not-short-enough order, Jason, Piper and Leo end up at Camp Half-Blood, learn, more or less, their identities and the quest begins. This exposition takes more than 100 pages to unspool with formulaic predictability. There are high points. Incidental details that bring the gods into the story often shine, as they have before. Argus, the camp’s head of security, is distressed at the imprisonment of his creator, Hera, and weeps from all his eyes, causing him to “[wipe] the tears from his elbow.” Boreas (who has taken up residence in Québec City, spawning a pretty great cover image) displays a classically godlike disregard for humans: “We are to crush your little mortal faces.” Between these moments, however, are far too many pages of stretched-out action, telling not showing and awkward dialogue. Riordan has set himself an ambitious schedule of two books per year, alternating between The Kane Family Chronicles in the spring and The Heroes of Olympus in the fall, and the compressed timetable shows in an overall flabbiness of construction. The Greek-vs.-Roman tension tantalizes, but only after the lengthy denouement does it begin to take real shape, making this feel more like very long exposition than a complete novel. Throughout, both key secondary characters and the author play the irritating we-know-more-than-you-do game readers will remember from Percy Jackson, but here, rather than ratcheting up the suspense, it serves to emphasize the sense of a foregone conclusion. In a line of clunky, all-too-typical dialogue, Chiron tells Jason, “The last chapter approaches, just as it did before.” Die-hard fans will probably be happy with this for a time, but unless Riordan tightens things up considerably by number five, they may find themselves hoping that it does not end with a third Great Prophecy.

 

Pub Date: Oct. 12, 2010

ISBN: 978-1-4231-1339-3

Page Count: 570

Publisher: Disney-Hyperion

Review Posted Online: Jan. 6, 2011

Awards & Accolades

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  • Kirkus Reviews'
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  • New York Times Bestseller

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THE WILD ROBOT

From the Wild Robot series , Vol. 1

Thought-provoking and charming.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.

When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.

Thought-provoking and charming. (Science fiction/fantasy. 7-11)

Pub Date: April 5, 2016

ISBN: 978-0-316-38199-4

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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