A fabulously gripping sailor’s yarn.
With eloquent accuracy, Spilman’s novel captures the life of a 19th-century sailor.
Bill Doerflinger is a young archivist wishing to record old sea shanties sung by a few aging sea captains and their mates. In October 1938, he travels to the Staten Island home of 85-year-old Capt. George “Georgie” Anderson, who recounts a fantastical tale. In 1870, at age 17, he sailed from New York to Australia and back in the medium clipper Alhambra. The journey begins under the command of Capt. Josiah Adams, who leads a motley crew of complex characters. The most fascinating of the common seamen is an enigmatic drunk named Jack Barlow. When Capt. Adams falls ill and dies, the ship faces all manner of turmoil, from rumblings of mutiny to the terrifying roar of a hurricane. As tensions on board increase, Barlow proves far more astute than he first appears. Meanwhile, the naïve Georgie is beginning to find his “sea legs” with the help and hindrance of his crew. The novel carefully charts the young man’s intellectual and moral development. His initial sense of awe, along with the precarious nature of life at sea, is captured with an effortless grace: “When the sun was shining, the endless progression of the Southern Ocean graybeards was breathtaking—rolling mountainous peaks, thirty and forty feet high and long, with low valleys between. The wave tops were ten feet of boiling foam while the waves themselves were mighty beasts seemingly ready to devour us, just about to overwhelm the ship, until the fine lady Alhambra lifted her skirts and rose up.” A profound understanding of nautical terminology and procedure is also evident, yet the author is careful not to confuse readers who don’t know a “crojack” from a “spanker.” Eager to educate, the book also contains a comprehensive glossary, a rigging diagram, and an essay on the history of the sea shanty. Spilman’s colorful, well-researched novel will enthrall both sailing enthusiasts and landlubbers.
A fabulously gripping sailor’s yarn.Pub Date: Feb. 19, 2015
ISBN: 978-0994115232
Page Count: 238
Publisher: Old Salt Press
Review Posted Online: May 26, 2015
Kirkus Reviews Issue: July 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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