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WHAT A WONDERFUL WORLD

THE MAGIC OF LOUIS ARMSTRONG'S LATER YEARS

Late Satch gets a deep look, but Riccardi’s main theses remain unproven.

The second half of the trumpeter-singer’s career receives a thorough but uneven chronicle.

The story told by Armstrong blogger and jazz pianist Riccardi will be familiar to readers of Terry Teachout’s graceful 2009 bio Pops. Riccardi takes up the musician’s career in 1947, when he formed his long-running combo the All Stars. The author styles his work as a defense of latter-day Satchmo. Armstrong was criticized for vaudevillian tendencies and sticking to a stale repertoire while leaning on pop material in later years, and reviled for his ever-ingratiating onstage demeanor, which was viewed as “handkerchief-head” Uncle Tom antics during the rise of the civil-rights movement. While Riccardi makes a compelling case for Pops as an all-around entertainer who scored major hits with unlikely material like “Mack the Knife” and “Hello, Dolly,” some musician sources testify that they could leave the band for years and return to find its set unchanged. Armstrong’s status as a black celebrity is more problematic, and complicated by his position as an informal goodwill ambassador on his many tours abroad. Though he was never servile, his symbiotic relationship with his bare-knuckled white manager Joe Glaser, who acted as protector, slave master and bank teller, is a troublesome part of the story. Even when Armstrong spoke out about race relations—as he did in 1957, when he chastised President Eisenhower for his handling of school desegregation in Arkansas—he came under fire from both bigots and blacks. In the end, Armstrong was a compulsive performer who allowed himself to be literally worked to death at the age of 69 in 1971. Riccardi recounts his tale in sometimes excessive detail; unsifted mountains of source material leave newly unearthed gems like a priceless letter from Armstrong to Glaser about marijuana somewhat lost in the shuffle. The smitten writer is also unable to resist the use of superlatives, and his constant abuse of the word “arguably” may make readers want to rap his knuckles with a ruler.

  Late Satch gets a deep look, but Riccardi’s main theses remain unproven.

Pub Date: June 21, 2011

ISBN: 978-0-307-37844-6

Page Count: 400

Publisher: Pantheon

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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