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AUTOBIOGRAPHY OF MY HUNGERS

The literary sensibility speaks more broadly to the human condition, as the author relates the particularities of his own...

Sweet and sad but generally tender vignettes about a poet/professor’s coming-of-age as a gay Mexican immigrant.

González (English/Rutgers-Newark; Mariposa Gown, 2012, etc.) revisits some of the same territory as his American Book Award–winning Butterfly Boy: Memories of a Chicano Mariposa (2006), though this is not a flowing narrative but more like a scrapbook of short pieces, both prose and poetry, few of them longer than a page. As the title suggests, “hunger” provides the thematic thread, not only for food (his family was poor) and later for sex, but also for identity, connection and acceptance. “I was afraid of my hungry gay body,” he writes, though he didn’t realize his sexual orientation until his experiences with an early girlfriend made it obvious to her and to him. His father had mocked him because he was fat, gentle and nonathletic. A Christmas photo spurs memories of his impoverished upbringing that remind him of many others: “At the time of the photograph, I didn’t notice the tree going hungry in the back, its plastic branches spaced apart like bones on a ribcage. The tinsel drooping like strings of saliva. An anemic rosary of Christmas lights. My brother and I knelt in front of the tree, our striped shirts compensating for the dearth of gifts beneath it.” Later, he writes with writerly self-importance of his life as an author: “ ‘What do you write about?’ he asked, and I answered, quite simplistically, ‘Life,’ offering the man I was going to sleep with that night a bouquet of yellow flowers instead of thorns had I admitted, more truthfully, ‘Death’ or ‘Violence’ or ‘Pain,’ as in the horrors that writers will inflict on people who ask for them.”

The literary sensibility speaks more broadly to the human condition, as the author relates the particularities of his own experience through shards of memory.

Pub Date: May 6, 2013

ISBN: 978-0-299-29250-8

Page Count: 128

Publisher: N/A

Review Posted Online: March 2, 2013

Kirkus Reviews Issue: March 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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