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THE GIRL FROM THE WELL

A chilling, bloody ghost story that resonates.

A Japanese ghost tries to fight an evil spirit that haunts a 15-year-old boy in this strange, Stephen King–like horror story.

Okiku was brutally murdered 300 years ago at age 16 and has roamed the world ever since, killing child murderers. Murderers unwittingly carry the ghosts of those they have killed on their backs, making them easy for Okiku to spot. She’s chasing down a particularly nasty serial killer when she encounters Tarquin, the son of an American man and a Japanese woman. Now institutionalized, Tarquin’s mother inscribed strange tattoos on the boy, which act as seals to imprison the evil ghost inside him. The family travels to Japan after Tarquin’s captive spirit horribly murders his mother so they can scatter the dead woman’s ashes at a shrine. There, they meet some women who can try to free Tarquin from his spirit tormentor, but exorcisms aren’t easy. Chupeco bases her modern horror story on an old Japanese folk tale about a vengeful spirit named Okiku. She writes in Okiku’s formal, ghostly voice, requiring readers to piece together strange episodes that introduce not only Okiku, but also Tarquin and his family, only slowly revealing the severity of the danger Tarquin faces. They come together eventually to reveal the full story and, with their opacity, contribute to the book’s slowly mounting suspense.

A chilling, bloody ghost story that resonates. (Paranormal suspense. 14-18)

Pub Date: Aug. 5, 2014

ISBN: 978-1-4022-9218-7

Page Count: 304

Publisher: Sourcebooks Fire

Review Posted Online: May 11, 2014

Kirkus Reviews Issue: July 1, 2014

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THE CHANGING MAN

A descriptive and atmospheric paranormal social thriller that could be a bit tighter.

After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.

Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.

A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)

Pub Date: Sept. 26, 2023

ISBN: 9781250868138

Page Count: 384

Publisher: Feiwel & Friends

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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