A strong premise that does not deliver the expected punch.
A Hollywood TV crew descends upon Kisapmata, a cursed island in the Philippines, to film a show.
Even though the locals will not go there, the cast and crew remain greedily determined to make a blockbuster series focused on the Godseye, a haunted cave at the center of the island where murders have been documented. Reuben Hemslock, a pompous survivalist actor, leads the effort, doggedly bent on the presumed success it will bring to his reputation, which has been tainted by abuse accusations from a number of women. Also present are two executive producers (one with his teen son in tow) and an extensive crew who impose their infrastructure and their cultural chauvinism—“This island is almost perfect….Add a Panera and I’d be all set,”—on the deserted locale. Well, almost deserted. Alon, a local teen known as a “ghost whisperer,” cautiously agrees to be their tour guide in exchange for $10,000 to help his ailing father. Alon warns them that they should not be there, but the crew persists even as danger inevitably strikes. Chupeco creates an environment thick with mystery, full of haunting balete trees and eerie ghost sightings coupled with a legend that dates to Spanish colonization of the Philippines. However, the story remains frustratingly flat due to one-dimensional characterization; the story features deplorable adult characters and a forced chemistry between the two teens. Excepting Alon, all characters are presumed White; Alon is nonbinary.
A strong premise that does not deliver the expected punch. (Horror. 14-18)Pub Date: Oct. 4, 2022
ISBN: 978-1-72825-591-0
Page Count: 332
Publisher: Sourcebooks Fire
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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