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IDOL, BURNING

A short, engrossing novel that captures the essence of obsessive fandom.

An accusation against her favorite J-pop idol upends an unstable teen’s world.

Akari, a high school junior in Japan, wakes up one morning to the dreadful rumor that Masaki Ueno has assaulted a female fan. She is devastated: To her, Masaki is not simply a member of the popular group Maza Maza, he is her oshi, in whom she finds meaning and around whom she organizes her life. Akari has always had difficulty with her schoolwork, her family situation is tense, and she gets easily overwhelmed by the responsibilities of her job at a restaurant. When it comes to Masaki, however, she is dedicated and organized: She copies down every word he utters in public in binders, interacts with other superfans through her popular blog, and spends most of her earnings on band merch and memorabilia. Other people ridicule Akari’s dedication to this one-sided relationship, but she insists that she doesn’t see anything wrong with it because she doesn’t expect anything in return. Akari is content to devote herself to Masaki from a distance, wanting to understand him fully and “to see the world through his eyes.” As the assault threatens Masaki’s future in the band and as a celebrity, Akari becomes further unmoored; she feels as though her future and well-being are inextricably tied to Masaki’s own: “I need to give him everything, I thought. It's all I have. It was my cross to bear. Believing in him was how I lived.” Akari’s obsession is fatalistic and intense, and Usami’s prose (translated by Yoneda) renders it and the hold it has on her tenuous life ably and affectingly. While the intensity of the fandom and what it entails may seem outlandish to some, it will especially resonate with readers familiar with real-life superfandoms such as One Direction's at the height of its fame, down to details such as sought-after exclusive merch and hateful online comments sections.

A short, engrossing novel that captures the essence of obsessive fandom.

Pub Date: Nov. 15, 2022

ISBN: 978-0-06-321328-9

Page Count: 128

Publisher: HarperVia

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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