Refreshing, beautiful, moving, and meaningful.
A robin is a harbinger of hope.
Though snow and ice linger, winter is over; spring greenery beckons. A robin searches for someplace to build a nest. Observing that streets, roads, and playgrounds are quiet and empty, the bird finally spies a tree overlooking an apartment building. The robin chirps joyfully—and awakens the curiosity of the building’s tenants, still indoors. They flock to their windows, eager to witness this visitor, a reminder of the glorious natural world. A parent brings a youngster to see the robin up close; one resident photographs it; an elderly adult encourages a kid to view the bird through binoculars; another resident lifts a dog to look and listen; two kids chat excitedly via next-door windows. The robin painstakingly builds a nest, lays eggs, and then feeds the hatchlings—all while diverse neighbors connect with nature and one another. This sweet, understated story is wordless—a perfect way to tell it, as it requires youngsters to relate to the illustrations in a unique, profoundly personal way. They’ll bring their own sensibilities, understanding, ideas, and vocabulary to the artwork and, in doing so, connect with the book’s theme—our deep connection to nature and the world around us. The elegant, lush, textured artwork, appearing as if produced on a soft cloth backing, was created using a combination of watercolor and gouache and finished digitally. (This book was reviewed digitally.)
Refreshing, beautiful, moving, and meaningful. (Picture book. 3-6)Pub Date: Sept. 12, 2023
ISBN: 9781459831438
Page Count: 32
Publisher: Orca
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
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