by Rindert Kromhout ; illustrated by Annemarie van Haeringen ; translated by Bill Nagelkerke ‧ RELEASE DATE: April 1, 2013
Sweet and definitely out of the ordinary.
A counting book and a cautionary tale, translated from Dutch.
Anthropomorphic animals appear fully clothed, in bright outline, on solid-color pages, each of which faces its number and text. “1 / shopping bag / Look what Mama’s brought!” appears opposite Mama, carrying a full pink-striped tote that coordinates with her green-striped gown and hood (shaped nicely to accommodate her ears). The protagonists are Little Donkey in blue coveralls (and eared hood) and Bobby, a little bovine in red pants. The two find 3 bags of treats, and 4 eyes gaze pleadingly at Mama, who puts the treats on top of 5 kitchen shelves. But the two find a ladder with 7 steps, with predictable results (8 hooves flying). Mama soothes them both with 10 kisses. The pictures are clear enough so that children can count the treats and hooves and even the 9 tears themselves. Very young children will probably not find the shapeless outfits or Little Donkey’s and Bobby’s tails odd, but slightly older children might. Little Donkey’s cover image is a raised and shiny figure, and the effect of the flat but saturated color backgrounds (including hot pink endpapers) makes for some engagement.
Sweet and definitely out of the ordinary. (Picture book. 3-6)Pub Date: April 1, 2013
ISBN: 978-1-8775-7934-9
Page Count: 20
Publisher: Gecko Press
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
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by Rindert Kromhout ; illustrated by Annemarie van Haeringen
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by Rindert Kromhout & illustrated by Annemarie van Haeringen & translated by Marianne Martens
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt & illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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by Drew Daywalt ; illustrated by Alex Willmore
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SEEN & HEARD
SEEN & HEARD
by Michael Whaite ; illustrated by Michael Whaite ‧ RELEASE DATE: April 2, 2019
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Michael Whaite ; illustrated by Michael Whaite
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by Michael Whaite ; illustrated by Michael Whaite
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