For armchair-travel aficionados and frontier-history buffs, it doesn’t get much better.
An invigorating blend of history and journalism informs this journey down Old Man River.
Buck walks the walk, or perhaps rows the row: As with his previous book on the Oregon Trail, he follows the path of preceding generations in the hope of seeing something of what they saw. That’s not easy in the case of the Mississippi River, which, along with one of its principal tributaries, the Ohio, is “jointly managed by the U.S. Coast Guard and the Army Corps of Engineers exclusively for the benefit of commercial barge traffic.” With those massive strings of barges, some as many as 25 containers long, clogging the river, traversing it by means of an old-fashioned wooden flatboat seems an invitation to disaster. Yet that’s just what Buck did, building his own craft in the manner of the 19th-century pioneers who saw in the river system a means of knitting far-flung territories into a nation. Building the boat was a challenge, and the author “would shortly learn that the flatboat was indeed an ideal school for acquiring a knowledge of human nature.” Buck populates his invigorating narrative with a memorable cast of characters, some people who traveled with him, some people he met along the way. The author was courtly to all of them, save a loudmouth Trumper who “considered it absolutely vital to explain to me that the ‘’nited states of ’merica’ was being ruined by ‘librals and buree-cats.’ ” Buck’s adventures alternate between nearly being swamped by massive commercial vessels and dealing with more mundane disasters; as he noted to his first mate, “Clusterfuck is our new normal.” Besides being a willing and intrepid traveler, Buck is also an able interpreter of history, and it’s clear that he’s devoured a library of Mississippiana. It all makes for an entertaining journey in the manner of William Least Heat-Moon, John McPhee, and other traveler-explainers.
For armchair-travel aficionados and frontier-history buffs, it doesn’t get much better.Pub Date: Aug. 9, 2022
ISBN: 978-1-5011-0637-8
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
PERSPECTIVES
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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