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HEADSHOT

The classic momentum of a sports narrative unfurls in unusually lyric and muscular language: a ferocious novel.

Over one hot July weekend at Bob's Boxing Palace in Reno, Nevada, eight young boxers fight to the finish.

Bullwinkel’s first novel, following the story collection Belly Up (2018), begins with a poster and a bracket for “The 12th Annual Women’s 18 & Under Daughters of America Cup at Bob’s Boxing Palace,” with first-round pairings and names that will become incantations as this unusual and striking novel unfolds. Artemis Victor v. Andi Taylor; Kate Heffer v. Rachel Doricko; Iggy Lang v. Izzy Lang; Rose Mueller v. Tanya Maw. Each match unfolds both in the physicality of the dusty ring and in the consciousnesses of the fighters, their coaches, parents, and other spectators in the tiny audience. There’s not a single line of dialogue in the book, but rather a hypnotically intense, God’s-eye narrative voice that describes the hits and misses of each round and plumbs the backstories of each boxer: One is haunted by a terrible experience as a lifeguard; one has developed a “weird hat” philosophy based on a rotting coonskin hat; one calms herself by reciting the digits of pi; two are cousins known as prodigies in their small hometown. The girls’ bodies are evoked just as memorably: One has a purple stain on her lip that has shaped her experiences since infancy; one has legs that look like “bundles of dry pasta covered in skin”; one has looped braids sticking out of her headgear, making droopy circles on her back. As each fighter advances, she takes the spirit of the girl she’s bested with her to the next round: “Usually, as a tournament progresses, there is a feeling of whittling, of a group of many reduced to a single champion, but here in Bob’s Boxing Palace, at the Daughters of America tourna­ment, as each bout has been fought, there has been the feeling of accumulation.” For each young woman, Bullwinkel also conjures a life ahead, and these brilliantly imagined future selves add to the richness of the characterizations.

The classic momentum of a sports narrative unfurls in unusually lyric and muscular language: a ferocious novel.

Pub Date: March 12, 2024

ISBN: 9780593654101

Page Count: 224

Publisher: Viking

Review Posted Online: Nov. 16, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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