THE HOUSE PARTY

April 2008: The restless teenagers of picturesque New Falls, Pennsylvania, decide to throw a party at a house that's under construction.

Perhaps expectedly, the party spirals out of control—but to the tune of hundreds of thousands in damages. The bewildered out-of-town owners go through the thankless runaround with their insurance company, while the local police try to provide some answers, or maybe some scapegoats, for the destruction, and the local DA tries to press charges. The town is firmly divided along economic lines, and it quickly becomes clear that the “rich kids” with connected parents will not bear the brunt of the punishment, but a few “local yokels” will. Familiar character types—small-town DA; hardworking local teen made good; rich, entitled screw-up; emotionally wounded teenage girl; woman longing to be a mother; husband with a secret—are granted grace and complexity. Despite some early narrative setup, this is not a legal thriller. It’s a novel about choices and consequences, compassion, and the limits of forgiveness. It’s also a novel of reparation, and as the 2008 financial collapse looms in the background, there seems to be a particularly poignant hindsight offered: What if, Cameron asks, we could go back and unwork our mistakes, our bad choices, not just as individual humans, but as an entire timeline? What if we could be a little more cautious and a little less focused on our own gratification? What wonder could be wrought—or at least, what destruction and tragedy avoided? Of course, in the end, we all must face up to the missteps, as all of these characters do, and learn to live in a world where happiness is a little more fragile, love a little more tempered by disappointment.

An unflinching look at the dysfunction of a “nice town”; a resonant morality tale.