An idiosyncratic but exuberant homage to wanderlust.
Children’s author Gelman celebrates the joys of the unfettered life, lived only for the moment, that she enjoyed in places as varied as Guatemala and New Zealand after her marriage ended and she found herself finally able to do as she pleased.
When her husband suggested they separate for two months in 1985, Gelman came to the conclusion that she had been living “someone else’s life” and that, with her children grown, she needed something to accommodate her sense of adventure and idealism. She found the answer in Mexico, where she spent the next two months. There she lived with a family in a Zapotec village, taking side trips to such places as the Mayan ruins in Pelenque. Back home in Los Angeles, her husband asked for a divorce, and, now totally free, Gelman began her life as a nomad. Determined to live off her writing royalties (which went further in poor countries), she spent the next decade in Guatemala, Nicaragua, and Israel. As a writer, she seems more interested in people than places, and is best at evoking the sense of community and solidarity she experienced on her wanderings. Gelman’s take on local politics tends to be uninflected—reflexively pro-guerilla in Central America during the late 1980s—and she offers only sketchy takes on local history: her travel is primarily an exercise in personal growth. In Israel she explored her Jewish roots, finding the visit moving but not what she expected. A stay in the tropical forests of Borneo, where she lived in a camp for observing orangutans, was followed by a lengthy stay—her longest—in a Bali coastal village. There, she found a mentor whose stories and insights encouraged her to believe in a spiritual dimension to life, a belief that informed the rest of her travels.
An idiosyncratic but exuberant homage to wanderlust.Pub Date: June 1, 2001
ISBN: 0-609-60642-5
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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