by Rita Sinorita Fierro illustrated by Iride Paola Sgueglia ‧ RELEASE DATE: May 24, 2022
An often nuanced analysis of the prevalence of American racism.
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An independent scholar and consultant explores the roots of White supremacy in the United States.
As a White woman with “a relatively comfortable life,” Fierro notes that this survey of racist ideology “wasn’t an easy book to write” and that she doesn’t “expect it to be an easy read” for other middle-class White people. Taking the advice of Black activists since the 1960s, she focuses on challenging White people’s beliefs, and her intended audience is specifically progressive young people who are at a loss for how to address systemic racism. The bulk of the book provides a historical overview of the roots of White supremacy, covering major events from 1492 through 2020, from Pope Alexander VI’s institutionalization of the “Doctrine of Discovery” and Europe’s embrace of race-based slavery to Jim Crow and the racist persecution of the war on drugs. The figures most often associated with American racism certainly make appearances, including enslavers, the Ku Klux Klan, and Southern sheriffs. However, the book also emphasizes the ways in which some White activists have historically perpetuated White supremacy. Helen Parrish, a White woman from Philadelphia whose activism centered on housing reform, for instance, has traditionally been portrayed as a hero of the nascent progressive movement in the late 19th century. Yet, in Fierro’s convincing analysis, Parrish’s career is defined by her “condescending saviorism,” as seen in her private diaries, which are rife with examples of her belief in her superiority to non-White tenants and her judgmental intrusion into their lives. The book’s retellings of the stories of such icons are the book’s strong suit, as is Fierro’s emphasis on the historic phenomenon of “White Women Myopia,” demonstrating how “systems of ‘help’ established by white women didn’t produce equality for people of color.”
Fierro, who has a doctorate in African American studies from Temple University, has a firm command of this history, and she supports her work with more than 500 citations. Although academic historians won’t find much that’s new in the book’s analysis, which does not fully and methodologically engage with archival research, it more than accomplishes the author’s goal of providing an accessible history for general readers. This effort toward engagement is accompanied by a down-to-earth writing style and an ample assortment of full-color original art by Fierro and illustrator Sgueglia as well as diagrams, charts, and other visual aids. The book will likely show many White readers the ways in which America’s racist history resonates in their present-day lives. Along the way, it provides actionable agendas for change, which tracks well with Fierro’s career as a consultant whose work centers on ethics, leadership, and social justice and with her own willingness to address her own “internalized racism.” Oddly, though, the book accepts a common right-wing trope that overstates the prevalence of leftist “cancel culture” that allegedly targets the nonwoke and, in doing so, uses some of the same talking points that people opposed to anti-racist work often use.
An often nuanced analysis of the prevalence of American racism.Pub Date: May 24, 2022
ISBN: 978-0-578-37863-3
Page Count: 384
Publisher: Collective Power Media
Review Posted Online: June 15, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Nicole Avant ‧ RELEASE DATE: Oct. 17, 2023
Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.
Memories and life lessons inspired by the author’s mother, who was murdered in 2021.
“Neither my mother nor I knew that her last text to me would be the words ‘Think you’ll be happy,’ ” Avant writes, "but it is fitting that she left me with a mantra for resiliency.” The author, a filmmaker and former U.S. Ambassador to the Bahamas, begins her first book on the night she learned her mother, Jacqueline Avant, had been fatally shot during a home invasion. “One of my first thoughts,” she writes, “was, ‘Oh God, please don’t let me hate this man. Give me the strength not to hate him.’ ” Daughter of Clarence Avant, known as the “Black Godfather” due to his work as a pioneering music executive, the author describes growing up “in a house that had a revolving door of famous people,” from Ella Fitzgerald to Muhammad Ali. “I don’t take for granted anything I have achieved in my life as a Black American woman,” writes Avant. “And I recognize my unique upbringing…..I was taught to honor our past and pay forward our fruits.” The book, which is occasionally repetitive, includes tributes to her mother from figures like Oprah Winfrey and Bill Clinton, but the narrative core is the author’s direct, faith-based, unwaveringly positive messages to readers—e.g., “I don’t want to carry the sadness and anger I have toward the man who did this to my mother…so I’m worshiping God amid the worst storm imaginable”; "Success and feeling good are contagious. I’m all about positive contagious vibrations!” Avant frequently quotes Bible verses, and the bulk of the text reflects the spirit of her daily prayer “that everything is in divine order.” Imploring readers to practice proactive behavior, she writes, “We have to always find the blessing, to be the blessing.”
Some of Avant’s mantras are overstated, but her book is magnanimous, inspiring, and relentlessly optimistic.Pub Date: Oct. 17, 2023
ISBN: 9780063304413
Page Count: 288
Publisher: HarperOne
Review Posted Online: Aug. 17, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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