by Rivers Solomon ‧ RELEASE DATE: May 4, 2021
The fictional universe Solomon constructs here is inadequate to the real-world issues they are exploring.
A Lambda Award–winning writer explores America’s dark history of brutalizing Black bodies in their latest work of speculative fiction.
Vern is a young woman raising her twin babies in a forest, dressing them in the hides of animals she’s hunted and hiding them away in makeshift shelters. Vern is being followed by ghosts and stalked by someone who butchers animals and dresses them in infants’ clothes. Both are connected to the Black separatist commune from which Vern has escaped. As a parasite takes over her body, Vern develops superhuman powers and begins to suspect that she is a test subject being used by the United States government. There’s a lot going on here—perhaps too much. The novel starts out strong; the portion of the narrative in which Vern and her children are fending for themselves in the wilderness has the feel of folklore, and the idea that she is haunted by the experience of her ancestors is evocative. As Solomon moves further into the realms of science fiction, though, their voice loses much of its force. This is surprising given the quality of the worldbuilding in An Unkindness of Ghosts (2017), a dystopian tale set on a giant spaceship. The problem isn’t that the notion that Vern is part of a secret experiment conducted on Black people is implausible—Solomon references both the Tuskegee Study and the work of James Marion Sims, a 19th-century gynecologist who practiced new techniques on enslaved women. The problem is that the concept that drives the plot for half the novel is barely developed. With almost no evidence, Vern intuits that she is part of a shocking conspiracy, and, from that point, readers are supposed to take this as a given. Instead of building a compelling case, Solomon wrestles fantastic tropes into shapes that fit the frame they’ve created without effectively supporting it.
The fictional universe Solomon constructs here is inadequate to the real-world issues they are exploring.Pub Date: May 4, 2021
ISBN: 978-0-374-26677-6
Page Count: 368
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Jan. 28, 2014
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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