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SORROWLAND

The fictional universe Solomon constructs here is inadequate to the real-world issues they are exploring.

A Lambda Award–winning writer explores America’s dark history of brutalizing Black bodies in their latest work of speculative fiction.

Vern is a young woman raising her twin babies in a forest, dressing them in the hides of animals she’s hunted and hiding them away in makeshift shelters. Vern is being followed by ghosts and stalked by someone who butchers animals and dresses them in infants’ clothes. Both are connected to the Black separatist commune from which Vern has escaped. As a parasite takes over her body, Vern develops superhuman powers and begins to suspect that she is a test subject being used by the United States government. There’s a lot going on here—perhaps too much. The novel starts out strong; the portion of the narrative in which Vern and her children are fending for themselves in the wilderness has the feel of folklore, and the idea that she is haunted by the experience of her ancestors is evocative. As Solomon moves further into the realms of science fiction, though, their voice loses much of its force. This is surprising given the quality of the worldbuilding in An Unkindness of Ghosts (2017), a dystopian tale set on a giant spaceship. The problem isn’t that the notion that Vern is part of a secret experiment conducted on Black people is implausible—Solomon references both the Tuskegee Study and the work of James Marion Sims, a 19th-century gynecologist who practiced new techniques on enslaved women. The problem is that the concept that drives the plot for half the novel is barely developed. With almost no evidence, Vern intuits that she is part of a shocking conspiracy, and, from that point, readers are supposed to take this as a given. Instead of building a compelling case, Solomon wrestles fantastic tropes into shapes that fit the frame they’ve created without effectively supporting it.

The fictional universe Solomon constructs here is inadequate to the real-world issues they are exploring.

Pub Date: May 4, 2021

ISBN: 978-0-374-26677-6

Page Count: 368

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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STARTER VILLAIN

Fun while it lasts but not one of Scalzi’s stronger books.

Some people are born supervillains, and others have supervillainy thrust upon them.

Charlie Fitzer, a former business journalist–turned–substitute teacher, is broke and somewhat desperate. His circumstances take an unexpected and dangerous turn when his estranged uncle Jake dies, leaving his business—i.e., his trillion-dollar supervillain empire—to Charlie. Charlie doesn’t really have the skills or experience to manage the staff of the volcano lair, and matters don’t improve when he’s pressured to attend a high-level meeting with other supervillains, none of whom got along with his uncle. With the aid of his uncle’s No. 1, Mathilda Morrison, and his cat, Hera (who turns out to be an intelligent and typing-capable spy for his uncle’s organization), Charlie must sort out whom he can trust before he gets blackmailed, blown up, or both. This book serves as a follow-up of sorts to Scalzi’s The Kaiju Preservation Society (2022) in that both are riffs on genre film tropes. The current work is fluffier and sillier than the previous novel and, indeed, many of Scalzi’s other books, although there is the occasional jab about governments being in bed with unscrupulous corporate enterprises or the ways in which people can profit from human suffering. This is one of many available stories about a good-hearted Everyman thrust into fantastical circumstances, struggling to survive as a fish out of water, and, while well executed for its type, the plot doesn’t go anywhere that will surprise you.

Fun while it lasts but not one of Scalzi’s stronger books.

Pub Date: Sept. 19, 2023

ISBN: 9780765389220

Page Count: 272

Publisher: Tor

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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