Ellory’s prose is rather colorless, the plot lacks pace and momentum and Irving, at the center of it, is lackluster.
Uneven thriller about a New York City police detective who tracks a copycat serial killer.
Ellroy (A Quiet Belief in Angels, 2009) begins with the appealing John Costello, nearly 17 and growing up in Jersey City. When John spots Nadia, a beautiful young woman, they begin a passionate relationship. One night, as they sit outdoors, a man approaches from behind and smashes Nadia’s head with a hammer. Nadia dies, John narrowly escapes and the killer eventually commits suicide at a psychiatric facility. Ellroy now jumps forward 11 years and, in what may be a strategic mistake, shifts to the point of view of police detective Ray Irving. The author provides ample details to animate Irving and his Manhattan, but neither the man nor the place equal the vibrance of Costello and his Jersey City. At work, Irving confronts a killing similar to Nadia’s—in Bryant Park, the body of a teenage girl turns up, her head crushed. Then the bodies of two teenage girls, shot in the head, are dumped along FDR Drive. Later, the body of a young man, his face painted like a clown, is found in a drain. A story in the City Herald traces the killings to those of serial killers of the past. Because all these killers were executed or are currently imprisoned, the story suggests a copycat killer is at large. How did reporter Karen Langley develop this theory? With aid from research assistant John Costello, who now obsessively compiles information about serial killers. Langley points out to Irving that the present-day killings occur on the anniversaries of the earlier murders. Aided by Langley and Costello, Irving digs through a massive haystack of serial-murder cases to find a needle—another case the killer will recreate. After several dead-ends, the three face off with the Anniversary Man in a tense scene in Madison Park.
Ellory’s prose is rather colorless, the plot lacks pace and momentum and Irving, at the center of it, is lackluster.Pub Date: June 10, 2010
ISBN: 978-1-59020-327-9
Page Count: 400
Publisher: Overlook
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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