Breaking news: Maizes’ gently witty and vaguely weird collection is well worth reading.
This debut is populated by characters who make unusual choices (big or small, intentional or not) and then face the fallout.
Some books of short stories feel like subtle variations on a theme—practically the same tale over and over again. Not this one. The 11 entries in Maizes’ collection are deliciously diverse. In the title story, Markus, a 13-year-old boy, decides to come out via his bar mitzvah speech and then copes with the cascading consequences of his bold, unusual choice. “Remember the valedictorian who came out in his graduation speech? His video was downloaded two million times….That’s what I’m going to do in temple,” Markus tells his boyfriend. In “Collections,” Maya, a 65-year-old woman, struggles to adjust to her significantly diminished status and circumstances after the death of her wealthy partner of 14 years, for whom she had originally been hired to cook. “The bedroom wasn’t far from the kitchen,” we’re told. In “Couch,” a therapist’s practice and life are dramatically transformed when she replaces the seating in her office with a couch that magically improves the outlook of anyone who sits on it. “Patients so depressed they questioned the value of their lives, so anxious they rarely left their homes, found relief as soon as they settled onto the sea-foam cushions,” Maizes informs us. Certainly there are a few recurring elements in these stories: Jewish characters, beloved pets, people who love obsessively and/or unrequitedly, and tragic deaths, to name a few. Yet each succinct fictional nugget rolls inexorably along its own quirky trajectory, arrives at its own unexpected destination, and never overstays its welcome. Titular shoutout to a CNN talking head notwithstanding, this is a book about the heart.
Breaking news: Maizes’ gently witty and vaguely weird collection is well worth reading.Pub Date: July 23, 2019
ISBN: 978-1-250-30407-0
Page Count: 176
Publisher: Celadon Books
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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