By a talky, roundabout route, Dahl slyly (if deterringly) takes the narrator—ostensibly himself at seven—into the delicious, ambiguous situation of being a mouse-boy. . . who turns the tables on his tormentors. We first hear about witches: they spend their time plotting to get rid of children, "they all look like nice ladies," they are difficult but not impossible to spot. Then, we hear about Dahl's cigar-smoking Norwegian grandmother, who told him about witches and how to spot them: they all wear wigs to cover their bald heads, for one thing, and have itchy scalps. So, when Dahl and his grandmother are at a Bournemouth hotel, and the lady-delegates to the Royal Society for the Prevention of Cruelty to Children conference start scratching away (p. 57), Dahl is wary. Then the pretty head lady takes off her mask: the Grand High Witch incarnate! To demonstrate her Formula 86 Delayed Action Mouse-Maker, she's already fed some to greedy, obnoxious little Bruno Jenkins—who turns into a mouse on schedule. Will Dahl be detected, hiding behind a screen? He hasn't washed in days, but some of that tell-tale child-scent, anathema to witches, escapes. Forcefed the potion, he joins Bruno scampering about the floor—but they still have their own voices, and his wonderful witchophile grandmother will know what to do. Actually, Dahl's wits have if anything sharpened. With his grandmother as a confederate, he steals a bottle of the potion; pours it into the witch-delegates' soup tureen; and has the exquisite pleasure of seeing them turned into mice, to be wiped out on the spot. (Bruno meanwhile is contentedly munching away—to the horror of his mouse-hating parents.) When last seen, DaM and his grandmother are quietly resettled in Norway—where he wonders if she'll live out Ms short mouse-life span, and she's plotting to get rid of the world's remaining witches. A (quicker-acting) sequel is to be eagerly expected.
Pub Date: Oct. 1, 1983
ISBN: 0374384576
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Oct. 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.
Pub Date: Oct. 1, 1988
ISBN: 0142410373
Page Count: 240
Publisher: Viking
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
SEEN & HEARD
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