by Rob Buyea ‧ RELEASE DATE: Sept. 3, 2024
A school story that’s full of heart.
A challenging fourth grader faces the “meanest and nastiest” teacher in the school.
Readers will recognize Carter Avery when he blurts out a rude question about the port-wine stain on Ms. Krane’s face in their first meeting. He’s the kid with no filters. He struggles with writing. But, like Mr. Terupt in Buyea’s popular series, Ms. Krane knows how to deal with even the most difficult kids. She has challenges besides wiggly Carter and his nemesis, “bossy” Missy Gerber. Some parents don’t approve of Ms. Krane’s choice to have a baby as an unmarried woman. Buyea weaves all these elements into a suspenseful account of Carter’s year, told in the boy’s believable first-person voice. Readers will fill in the blanks in his unreliable narration, because they know kids like him—they may even share many of his difficulties. Carter doesn’t have friends among his classmates, but he does have caring adults in his life: the grandmother who’s raised him since his parents died, bus driver Mr. Wilson, and Farmer Don, whose eggs Carter and Grams buy. They’re patient with his behavior and his questions. They help him (and readers) understand donor insemination and why judgmental gossip is a problem. Carter decides that his secret mission will be sticking up for Ms. Krane as she has stuck up for him: becoming a good student and proving she’s a good teacher. His success is gratifying. Most characters present white.
A school story that’s full of heart. (Fiction. 8-11)Pub Date: Sept. 3, 2024
ISBN: 9780593376188
Page Count: 352
Publisher: Delacorte
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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