An impressive set of stories from a skilled observer of the human animal.
Men and women struggle to find the good in the bad in Davidson’s fiction collection.
Life can get serious fast. In the first story in Davidson’s newest collection, a man grapples with his ex-wife’s early-onset Alzheimer’s. His daughter wants him to let the woman move in with him, something he is loath to do—but when his ex-wife is found beaten and possibly raped in a city park, the stakes become significantly higher. In another story, a college campus budget analyst gets into an argument with a foreign photographer taking pictures of him on campus. The man turns out to be a visiting artist, and he wants to make the analyst the subject of his next project. The photographer compares himself to Kafka: “He was the poet of the bureaucracy. What he did in his fiction, I try to do with my lens. That is why I came to America.” A third tale follows a boy on a fishing trip with his father attempting to reciprocate the patriarch’s gruff efforts at bonding, stymied by a roiling resentment he feels about his parents’ recent divorce. Across six stories and one novella, Davidson follows characters learning to live in a world not as they want it to be, but as it is. Nowhere is this tension as apparent as in the title novella, in which a Buddhist monk quits his monastery after seven years and moves in with his surf bum brother. “You’re stepping back into the material world—lust, lies, and corruption!” the brother encourages him. “Only one way to do it. Jump in with both feet!” As the former monk grapples with the crises that led him into—and then away from—the monastery, he gleans an entirely different sort of wisdom from his far-from-enlightened brother. Davidson’s prose is by turns clever and soulful, capturing his characters at their most curmudgeonly before dragging them, often against their will, toward greater vulnerability. Though the novella is the strongest entry, there’s not a bad one here.
An impressive set of stories from a skilled observer of the human animal.Pub Date: Nov. 12, 2024
ISBN: 9781960329486
Page Count: 244
Publisher: Cornerstone Press
Review Posted Online: March 27, 2025
Kirkus Reviews Issue: May 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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