A glitzy but never sugary tale of love, work, and family.
Hollywood publicist Harris, the author of Unexposed Film (2012), offers more memories from iconic movie sets of the 2000s—this time as the backdrop to his own real-life love story.
After being widowed in his 30s, the Los Angeles–based author threw himself into the nomadic life of on-location film shoots, “the further from home, the better.” The wanderlust didn’t fade with the grief, however, and it pushed his second marriage to Margaret,a musician and the mother of his two sons, to the breaking point. In colorful but earnest prose, Harris examines his complicated history with love, his film career, and the intersection of the two in 2003 when he was in London; Fort Ricasoli, Malta; and Cabo San Lucas, Mexico, working on the film Troy (2004), starring Brad Pitt. It was a difficult shoot, and Harris dealt with everything from mutinying extras to publicity mishaps to dysentery. He also missed his sons, Casey and Sam, at home with their mom in Ithaca, New York; he worried especially about Casey, a teen craving independence despite his struggles with visual impairment and kidney disease. During the shoot, Harris met Nicola, a journalist with whom he had an instant connection. The two began an affair that led to the author’s divorce, culminating in an unconventional wedding ceremony in South Africa during the filming of Blood Diamond (2006). Alongside his personal life, Harris chronicles the ups and downs of other productions, including Lemony Snicket’s A Series of Unfortunate Events (2004) and Syriana (2005). Harris is most likable when he’s in work mode, shining a light on the lives of the unknown people who make movies happen, including makeup artists, caterers, and frazzled assistants. The celebrity cameos by Pitt, Peter O’Toole, George Clooney, and others are dazzling, but Harris wisely focuses on his own story. The romance aspect is entertaining but sometimes irksome, as the author gushes about Nicola one minute and admits to texting an old fling the next (after Nicola gave her number to another man). Still, it all works out in the end, and the epilogue gives an update on the family that’s genuinely touching.
A glitzy but never sugary tale of love, work, and family.Pub Date: June 16, 2020
ISBN: 978-1-83803-242-5
Page Count: 352
Publisher: Zuleika
Review Posted Online: Sept. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: tomorrow
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