DARK SPACE

Plans to colonize a far-flung planet go catastrophically awry.

Earth is over capacity, as are its outposts on the moon, Mars, and Titan. Humanity’s best hope for the future is Esparar, a distant world discovered decades ago and chosen from dozens of candidates for its apparent habitability. Humankind’s maiden voyage to Esparar—a joint U.S.-China mission aboard a ship called the Mosaic—is “blasting through a gravity manifold at close to light speed” when the engines die, taking with them shields and life support. The Mosaic’s pilot, Lieutenant Commander Jose Carriles, manages to save the day with a risky feat of derring-do, but later realizes that the expected alarms didn’t sound and the ship’s wire logs have been erased. Suspicious of sabotage, he starts digging. Meanwhile, back at the New Destiny lunar settlement, former field agent turned desk jockey Corin Timony is monitoring communications for the Bazaar, an international espionage conglomerate, when a distress call from the Mosaic comes through. Moments later, a second relay arrives: “DISREGARD PREVIOUS MESSAGE.” Corin alerts her boss to the broadcasts, expecting him to share her concern; instead, he orders her to forget the evening’s events and take the week off to clear her head. Corin can’t quite bring herself to do either; drinking and drug use may have resulted in her demotion to “glorified secretary,” but she remains a spy at heart. Co-authors Hart and Segura give Corin and her storyline regrettably short shrift, substituting cliche and melodrama for character development. Still, the stakes steadily escalate, the action-packed plot consistently entertains, and a ping-ponging third-person narrative kindles suspense and keeps the pages turning. Explorations of humanity’s hubris and myopia lend depth.

Gritty, bombastic space pulp served with a side of Roddenberry-esque optimism.