by Robbie Waisman with Susan McClelland ‧ RELEASE DATE: May 11, 2021
Lyrical writing focuses on the aftermath of the Holocaust, a vital, underaddressed aspect of survivor stories.
Following his liberation from the Buchenwald death camp, Romek didn’t know how to reclaim his humanity.
Romek’s childhood in his Polish shtetl of Skarżysko-Kamienna, where he was the youngest of six loving siblings, wasn’t wealthy, but it was idyllic. Skarżysko-Kamienna was “forests and birdsong,” with “the night sky stretching from one end of the horizon to the other.” His family was destroyed and their way of life obliterated with the Nazi invasion of Poland, and Romek lost not just memories, but the accompanying love. Unlike many Holocaust memoirs, this painfully lovely story begins in earnest after the liberation, when Romek was among 1,000 Jewish orphans, the Buchenwald Boys, in need of rehabilitation. Having suffered years of starvation, disease, and being treated as animals, the boys were nearly feral: They fought constantly, had forgotten how to use forks, and set fire to their French relief camp dormitory. Some adults thought they were irredeemable. With endless patience, care, and love, the mentors and social workers around them—themselves traumatized Holocaust survivors—brought Romek back from the brink. Even in a loving and protective environment, in a France where the boys were treated overwhelmingly kindly by the populace, it took time to remember goodness. Parallels between anti-Semitism and racism in the U.S. and Canada are gentle but explicit.
Lyrical writing focuses on the aftermath of the Holocaust, a vital, underaddressed aspect of survivor stories. (historical note, timeline) (Memoir. 12-14)Pub Date: May 11, 2021
ISBN: 978-1-5476-0600-9
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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by Howard E. Wasdin & Stephen Templin ‧ RELEASE DATE: May 1, 2012
Fans of all things martial will echo his “HOOYAH!”—but the troubled aftermath comes in for some attention too.
Abridged but not toned down, this young-readers version of an ex-SEAL sniper’s account (SEAL Team Six, 2011) of his training and combat experiences in Operation Desert Storm and the first Battle of Mogadishu makes colorful, often compelling reading.
“My experiences weren’t always enjoyable,” Wasdin writes, “but they were always adrenaline-filled!” Not to mention testosterone-fueled. He goes on to ascribe much of his innate toughness to being regularly beaten by his stepfather as a child and punctuates his passage through the notoriously hellacious SEAL training with frequent references to other trainees who fail or drop out. He tears into the Clinton administration (whose “support for our troops had sagged like a sack of turds”), indecisive commanders and corrupt Italian “allies” for making such a hash of the entire Somalian mission. In later chapters he retraces his long, difficult physical and emotional recovery from serious wounds received during the “Black Hawk Down” operation, his increasing focus on faith and family after divorce and remarriage and his second career as a chiropractor.
Fans of all things martial will echo his “HOOYAH!”—but the troubled aftermath comes in for some attention too. (acronym/ordinance glossary, adult level reading list) (Memoir. 12-14)Pub Date: May 1, 2012
ISBN: 978-1-250-01643-0
Page Count: 192
Publisher: St. Martin's Griffin
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
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by Karen Blumenthal ‧ RELEASE DATE: Aug. 14, 2018
Painstaking, judicious, and by no means exculpatory but with hints of sympathy.
A portrait of two victims of the Great Depression whose taste for guns and fast cars led to short careers in crime but longer ones as legends.
Blumenthal (Hillary Rodham Clinton, 2016, etc.) makes a determined effort to untangle a mare’s nest of conflicting eyewitness accounts, purple journalism, inaccurate police reports, and self-serving statements from relatives and cohorts of Bonnie Parker and Clyde Barrow. Though the results sometimes read as dry recitations of names and indistinguishable small towns, she makes perceptive guesses about what drove them and why they have become iconic figures, along with retracing their early lives, two-year crime spree, and subsequent transformations into doomed pop-culture antiheroes. She does not romanticize the duo—giving many of their murder victims faces through individual profiles, for instance, and describing wounds in grisly detail—but does convincingly argue that their crimes and characters (particularly Bonnie’s) were occasionally exaggerated. Blumenthal also wrenchingly portrays the desperation that their displaced, impoverished families must have felt while pointedly showing how an overtaxed, brutal legal system can turn petty offenders into violent ones. A full version of Bonnie’s homespun ballad “The Story of Bonnie and Clyde” and notes on the subsequent lives of significant relatives, accomplices, and lawmen join meaty lists of sources and interviews at the end.
Painstaking, judicious, and by no means exculpatory but with hints of sympathy. (photos, timeline, author’s note, source notes, bibliography, index) (Biography. 12-14)Pub Date: Aug. 14, 2018
ISBN: 978-0-451-47122-2
Page Count: 256
Publisher: Viking
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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