by Robert Andrew Parker & illustrated by Robert Andrew Parker ‧ RELEASE DATE: Jan. 8, 2008
Renowned illustrator Parker supplies both an affecting text and luminescent watercolors in homage to the virtuosic Tatum. Blending information and imagination, the plainspoken, first-person-present text examines the jazz pianist’s childhood and musical development, progressing from school and church functions to Toledo bars, the club circuit and New York. Parker’s phrases perfectly correlate with his subject: Early details merit short simple declaratives (“This is my father. He’s a mechanic.”), while Tatum’s near-blindness obviates evocations of sounds and smells rather than sights: “I love our church—the way it smells like soap, furniture polish, and flowers; the way footstep sounds echo off the walls.” Ink-lined watercolors revel in as resplendent an interplay of hue and tone as Tatum’s improvisations. Sunny childhood scenes (a charming spot depicts toddler Arthur, playing the family piano on tiptoe) yield to clubs’ sultry blue light. Gorgeous abstract washes dial Tatum’s legendary extemporizations. Fusing Parker’s artistic talent and passion for jazz (he's a musician, too), this sensitively embellished biography is totally on time. (author’s and biographical notes, bibliography of adult sources) (Picture book/biography. 5-10)
Pub Date: Jan. 8, 2008
ISBN: 978-0-375-83965-8
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
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by David Rabe and illustrated by Robert Andrew Parker
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by Louise Borden & illustrated by Robert Andrew Parker
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by Leda Schubert & illustrated by Robert Andrew Parker
by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Barbara Cooney & illustrated by Loretta Krupinski
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adapted by Ruth Sawyer & illustrated by Barbara Cooney
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by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Chris Barton ; illustrated by Chaaya Prabhat
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by Chris Barton ; illustrated by Steffi Walthall
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by Willie Nelson & Bobbie Nelson with Chris Barton ; illustrated by Kyung Eun Han
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