by Robert Anthony Siegel ‧ RELEASE DATE: July 17, 2018
Dramatic, keenly observed memoir of familial entropy set against the urban “bad old days.”
The barbed tale of a writer’s beginnings, embarrassed yet fascinated by melodramatic, bohemian attorney parents.
Novelist Siegel (All Will Be Revealed, 2007, etc.) dramatizes a surreal upbringing fraught with deception. His mother pushed him toward art and culture, while his father sank into malfeasance. “We were the kind of family that ate out a lot, because home was too rancorous and depressing, and we tended to be a little nicer to each other in public,” he writes. The author’s obese, grandiose father was jailed for too-close involvement with his clients, including counterculture radicals, drug dealers, and the Hells Angels. “In this atmosphere,” he writes, “we could be the normal ones, the representatives of middle-class decency.” After prison, his father rebuilt his practice, but with reduced reputation and income. When one client gave him illicit cash with which to flee the country, he squandered it on junk food and fancy clothes. “I’m not sure why he decided to stay; it’s very possible that he was simply too broken to leave,” writes Siegel. The family’s chaotic domestic life took strange turns, including the adoption of an abused boy to whom, against the author’s expectations, his parents were devoted: “We liked seeing ourselves as the family in charge of the orphanage, full of beautiful waifs.” Still, Siegel’s father continued to neglect his health and responsibilities, and he was diagnosed with Alzheimer’s long after his behavior became erratic. Breaking away, the author became consumed with Asian culture, living in Japan while laboring over a novel about his father’s crimes, unable to find an authentic voice. Siegel displays his strengths in this memoir: lean, acute prose and sharply recalled environmental details of New York City in the 1970s and ’80s. He examines the familial ties that bind with love and exasperation, and his portrait of his family’s self-destructive contradictions is probing and memorable. The sections focused on his own intellectual growth can seem comparatively meandering and repetitive.
Dramatic, keenly observed memoir of familial entropy set against the urban “bad old days.”Pub Date: July 17, 2018
ISBN: 978-1-64009-037-8
Page Count: 256
Publisher: Counterpoint
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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