In Caribbean writer Antoni's second novel (after Divina Trace, 1992), drenched to soddenness with lush language and symbolism, two women—one black, one white—tell their melodramatic life stories to an unborn child. As black maid Vel lies on her employer's bed recovering from a failed abortion done with a pair of scissors, Lilla Grandsol, her white mistress, is stirred to recall moments in her own life. Recollecting first how Vel came to work for her, as well as Vel's prior attempts to abort this mysterious pregnancy, she then goes on to address her story to Bolom, Vel's unborn child. The only daughter of an Englishman and the Creole heiress of the estate she's now living on, Lilla remembers how her happiest times as a child were spent with Dulcianne, the daughter of the black family housekeeper. A lonely child with a pious, alcoholic mother and a father who philandered, Lilla was raised as a Catholic by her mother. But as she grew older, she discovered that she enjoyed intense pleasure masturbating while simultaneously telling her beads. These tensions between religion and sex get her into trouble when she's sent to a convent school. Her mother dies, her father disappears, and Lilla marries Keith, a.k.a. ``Daisy,'' a British architect. While the two are the greatest of friends, their sex life is troubling, and Lilla's husband, realizing he's gay, flees to England with his male lover. Like a Caribbean Miss Havisham, Lilla locks herself into her decaying mansion with a golden key and, except for outings with Vel to buy groceries with their dwindling funds, stays home. Thirty-three, like Lilla, Vel has had a far more hardscrabble existence: early pregnancies, children lost to disease, and a feckless husband. But she is devoted to Lilla. And in her side of the story she reveals how far she's gone to ensure that the two women can stay together in their mouldy bolt- hole. Caribbean gothic with literary pretensions.
Pub Date: April 1, 1997
ISBN: 0-8050-4925-8
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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