by Robert B. Reich ‧ RELEASE DATE: Feb. 28, 2018
Idealistic and stronger in description than prescription, but a provocative essay nonetheless.
Reich (Public Policy/Univ. of California; Saving Capitalism, 2015, etc.) takes a note from Adam Smith and runs with it in this spirited defense of the public sphere.
The best economy may be one in which unrestrained trade occurs in keeping with the laws of supply and demand, but it is also one in which human needs are met and externalities such as environmental costs are taken into account. In this new gilded age, writes the author, the common good is often ignored, even if a few interesting things are happening. For one thing, Donald Trump “has at least brought us back to first principles….Trump has got us talking about democracy versus tyranny.” The president and his ilk have also gotten us talking about whether there is such a thing as a social contract or a public domain after all. In this brief but well-argued treatise, Reich contrasts shareholder and stakeholder capitalism, the excesses of the former often explained away by the notion that the executive has a fiduciary obligation to increase returns to shareholders no matter what the cost. “The argument is tautological,” writes the author. “It assumes that investors are the only people worthy of consideration. What about the common good?” The enemies of the common good are countless, from latter-day slumlords to deregulated megabanks and untrammeled hedge funds, all of which disregard the rules society has evolved to keep transactions fair, “tacit rules that can be exploited by people who view them as opportunities for selfish gain rather than as social constraints.” Reich examines the rise of ruleless society as a function of declining trust in social institutions. Against all this, among other things—and now borrowing a page from Sandra Day O’Connor—the author urges a renewal of civic education to enable people “to work with others to separate facts and logic from values and beliefs,” including, one assumes, the belief that it is acceptable to rob the public blind.
Idealistic and stronger in description than prescription, but a provocative essay nonetheless.Pub Date: Feb. 28, 2018
ISBN: 978-0-525-52049-8
Page Count: 208
Publisher: Knopf
Review Posted Online: Jan. 8, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Robert B. Reich illustrated by Robert B. Reich
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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