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THE COMPANY WE KEEP

A HUSBAND-AND-WIFE TRUE-LIFE SPY STORY

An intermittently engaging but not entirely satisfying tale of love and espionage.

Two CIA spooks form a romantic bond while globe-hopping between trouble spots.

In this unusual memoir, a husband and wife alternate chapters in describing their careers and connection. Robert Baer (The Devil We Know: Dealing with the New Iranian Superpower, 2009, etc.) is well-known to espionage fans as the basis for George Clooney’s character in Syriana (2005). Dayna had a more secretive career. Initially, she performed background checks, but then, to her surprise, she was selected for the “shooter” course, which prepares the CIA’s little-known cohort of Protective Agents. Despite this potentially thrilling detour, Dayna emphasizes that “what I end up doing has nothing to do with banging down doors and firefights…The moment a gun comes out, the mission is compromised.” Meanwhile, Robert was posted to places like Tajikistan and Iraq, where he was “caught up in a plot by a handful of Iraqi generals to oust Saddam Hussein,” which led to his near-prosecution by the FBI. Yet he was admittedly addicted to the political intrigues of the Middle East, even as his first marriage was disintegrating. The early chapters have propulsive momentum, and the authors give a good sense of the improvisational nature of the CIA in the 1990s, as clandestine veterans like Robert tried to tie up the messy loose ends of the Cold War. Both Baers write affectingly of their experiences in Sarajevo, “a city radiant with sorrow,” where they met during a covert operation. Dayna’s initial impressions of Robert were decidedly negative, and their romance took some time to blossom. Unfortunately, once they wind up together, the narrative pace slackens (the love affair is only vaguely depicted). Eventually, they decided to leave the agency (Robert permanently, Dayna on a leave of absence) in order to build a family and pursue an international adoption in Pakistan, where the CIA is not highly regarded. Despite some chilling moments involving a Taliban-aligned judge, the book meanders toward a conclusion of domestic contentment.

An intermittently engaging but not entirely satisfying tale of love and espionage.

Pub Date: March 8, 2011

ISBN: 978-0-307-58814-2

Page Count: 320

Publisher: Crown

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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