This pipe dream’s highly original narrative structure, consistently subordinating events to voices, allows Bailey (The Small...
As its title suggests, Bailey’s final novel is a valentine to the private-eye conventions that have seemed like clichés since about two weeks after they were presented as fresh and new a century ago.
Raymond Kerze can’t afford to be choosy about his clients. The only reason he can even afford to live in his office, after all, is that the building’s in foreclosure, and the city of Detroit doesn’t bother to bill its few remaining tenants for rent. But Ray really doesn’t want to take Misty Lake’s money. For one thing, she’s got only $11.60. For another, she’s offering it to him for killing her. Before she got laid off from her job as a waitress, she borrowed $500 from mobbed-up loan shark Benny Slick, and now her failure to keep up with the vig has ballooned her debt to $950, which might as well be a million. Since she’s Catholic, Misty can’t kill herself, though she seems to have no scruples about hiring Ray to push her out his office window (a no-go, since he’s on the second floor) or stand by as she provokes a pair of Aryan-tattooed skinheads lurking outside the building to stab her to death. As things work out, Misty doesn’t die, but Theodore Sorenson, one of the skinheads, does, unleashing mounting complications for Ray, Misty, Misty’s ex-boyfriend Jeffrey Enwright, Detective Tony Jackson, and Teddy’s skinhead pal John Doe, each of whom gets to tell part of the story. Or, if “story” is too strong a word, to present his or her carnival act in close-up before yielding to the next one and eventually to the final fade-out.
This pipe dream’s highly original narrative structure, consistently subordinating events to voices, allows Bailey (The Small Matter of Ten Large, 2012, etc.) and his readers to inhabit a series of characters that morph from cartoon tough guys and gals to people worth caring about once you get to see them from outside and inside.Pub Date: July 31, 2019
ISBN: 978-1-937868-76-5
Page Count: 252
Publisher: Ignition Books
Review Posted Online: May 1, 2019
Kirkus Reviews Issue: May 15, 2019
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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