Those unfamiliar with football will be heartened to learn that the game’s moves, strategy, and terminology are explained...
This sports-hero entertainment conjures up a woman who can play professional football in a book that isn’t overly serious about such social issues.
While vacationing on a Belize beach, Washington Redskins offensive coordinator Skip Granger spots Jesse Smoke throwing a football better than most NFL quarterbacks. She’s 6 feet 2 inches tall and weighs about 180, with a lithe boyish build and freckles that Skip, the book’s semismitten narrator, will mention frequently, along with her blue eyes, curly hair, and sweet smile. Impressed but initially only mulling a practical joke at a Redskins tryout camp, Skip gets serious about signing Jesse as a quarterback after seeing her in a women’s pro game. Then Jesse also reveals that she can kick field goals with 100 percent accuracy from 50 yards. As she begins to set the team on course for the Super Bowl, the genre demands major obstacles, which here include: transgender rumors; the reappearance of a bad mom; weird nosebleeds; a missing birth certificate; and legal action by the players’ union, hoping to oust the lady and preserve the game’s integrity (no laughing, please). Bausch may be best known for the novel that became the movie Bruce Almighty. He’s also the twin brother of another fiction writer, Richard Bausch. In his eighth novel, Robert frames the narrative as a book written by Skip years after the events. This allows the coach to expose his weakness for sledgehammer foreshadowing at the end of some chapters, for instance: “And thus began the brief, heartbreaking career that became the legend of Jesse Smoke.” Bausch clearly is having fun—awkwardly so at times—with what is largely a teen genre aside from exceptions like Malamud’s brilliant The Natural. He even tosses in a Shroud of Turin reference (Jesse = Jesus?). There’s more football here than a nonfan might enjoy, but Jesse is impressive, the play-by-play is well-done, and the plot twists are less ham-handed than they seem at first.
Those unfamiliar with football will be heartened to learn that the game’s moves, strategy, and terminology are explained well enough that they'll be able to appreciate just how thoroughly la femme here kicks male derrière.Pub Date: Aug. 30, 2016
ISBN: 978-1-63286-397-3
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: May 29, 2016
Kirkus Reviews Issue: June 15, 2016
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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