Showcase horror anthology: 22 original tales by Stephen King, Charles Grant, Ed Gorman, Richard Christian Matheson, and lesser lights, presented by the Horror Writers' Association. No piece by Bloch himself, alas, and no preface to explain how the book came about, although it apparently honors the famed penman and smiling motherstuffer of Psycho himself, this perhaps being Bloch's last chip, or—as the bouncy, irrepressibly loopy Master himself might pun—his last time around the Bloch. (Indeed, it was Bloch who, at 77, wrote in his unauthorized autobiography: ``Why anyone would want to be known as the author of Psycho is beyond me.'') King leads off the sheaf with a tour de force, ``Autopsy Room,'' a first-person tale about a golfer in a body bag who died on the course and is wheeled into the medical examiner's for an autopsy. Grant's ``Haunted'' tells of a knife-wielding killer who haunts a park and steals victims' faces. In Gorman's ``Out There in the Darkness,'' four middle-aged poker players kill a burglar whose escaped buddy then begins killing them. Matheson's first-person ``Please Help Me'' is truly scary: Three robbers of a 24-hour market take a hostage, bind and gag him, throw him into their trunk, and drive off. His fate would satisfy Edgar Allan Poe—dig? Dipped in deep purple, Denise M. Bruchman's ``The Lesser of Two Evils'' shows what happens when a mass murderer of prostitutes goes to a gypsy witch to have the ghost of Jack the Ripper extracted from his body; little does he know that the gypsy collects the blood of mass murderers, including that of the top one of this century. Jane Yolen's ``A Southern Night'' puts a new twist on the Susan Smith murders of her children. Nice stuff, but not a story rises above narrative and strives to be as stylish and memorable as Lovecraft, Poppy Z. Brite, or like masters of a fearful eloquence.
Pub Date: Feb. 1, 1998
ISBN: 1-881475-26-3
Page Count: 341
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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