An ambitious, absorbing saga of family and community relations, set in present-day New Mexico, from the author of the well-received Mystery Ride (1993), etc.. The town of Persimmon, which lies just across the Rio Grande from the Mexican-American colonia of Apura, is inhabited by such harmlessly distracted souls as 30ish Gay Schaefer and her adolescent daughter Rita; Gay's cousin Heart, a remote woman who's a recovering cancer patient; and Denny Redmon, the high-school basketball coach Gay dallies with—and strings along—while living apart from the husband whom she's never divorced and with whom she has frequently reunited. Apura houses more desperate and dangerous people, such as 19-year-old Rudy Salazar, a powder keg whose anger and resentment over his culture's second-class status will flame out and touch the Schaefers—and also the family of Enrique ``Henry'' Calzado, who've moved ``up'' to Persimmon. Boswell creates a vivid and disturbing picture of a society tested by the pressures of assimilation, in which the proud declaration that properties and businesses are exclusively ``American owned'' makes it painfully clear to the malcontent Rudy that ``most of the world operated at a distance and in a language he did not know.'' The novel is generously, if a trifle mechanically, plotted and noteworthy for the compassion and insight that Boswell extends to virtually all his characters. He writes exquisite and arousing sex scenes, and knows exactly how high-school kids swagger and banter. As convincing as his confused and self-conscious adults are, Boswell excels at portraying adolescents: both Enrique's efforts to Americanize himself (he adores River Phoenix and My Own Private Idaho) and Rita's passage through sexual humiliation and violence to ``purity'' are presented with lucid straightforwardness and sympathetic understanding. Splendid work, from a novelist who keeps getting better and better.
Pub Date: April 2, 1997
ISBN: 0-679-43251-5
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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