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THE TYRANNY OF VIRTUE

IDENTITY, THE ACADEMY, AND THE HUNT FOR POLITICAL HERESIES

A nuanced argument of interest to those who worry that nuanced arguments are no longer possible in quad or classroom.

A rousing call for speech on college campuses that is truly free, addressing uncomfortable issues while allowing room for dissent.

The habit of thinking clearly about big-picture issues of politics, philosophy, ethics, identity, and other realms, the very stuff of liberal discourse, is “virtually impossible for a great many people in academic life.” So writes Salmagundi editor Boyers (English/Skidmore Coll.; The Fate of Ideas: Seductions, Betrayals, Appraisals, 2015, etc.) in this bracing—and, at turns, eminently arguable—defense of norms of free inquiry against aggrieved identity politics. He’s pretty woke, a student told him, for “an old white guy like you.” Old white guys have feelings, too—and histories that embrace centuries of struggle and survival that don’t often figure in the modern narrative. Boyers begins by examining the modern notion of privilege, recalling what would probably have been an actionable case today of one of his own professors who advised him to lose his Brooklyn accent lest he not be taken seriously. Privilege, as in white privilege, is a real thing, at least of a kind, he allows: That professor would be hauled up today for classism and put through sensitivity training, but the very idea of white privilege is now a “formula resistant to meaningful conversations, which fuels insupportable assumptions and resentments.” Boyers cites cases: a student who cannot believe that Nadine Gordimer, the South African writer, can speak with any authority of the lives of black South Africans; the novelist Viet Tranh Nguyen, whose article on the supposed hostility of writers’ workshops to people of color rouses Boyers’ vigorous objections. Coming from a clearly liberal point of view, Boyers nonetheless courts controversy—and is bound to get it—with some of his tenets, such as the thought that identity politics as such evinces “a fear of the uncertainties and hard choices that come with modernity and the need to think.”

A nuanced argument of interest to those who worry that nuanced arguments are no longer possible in quad or classroom.

Pub Date: Sept. 24, 2019

ISBN: 978-1-982127-18-3

Page Count: 208

Publisher: Scribner

Review Posted Online: June 29, 2019

Kirkus Reviews Issue: July 15, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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