A nasty, freaky, and haphazardly funny horror story.
A punk-rock vagabond circa 1977 and a struggling Hollywood stuntwoman circa 2013 find themselves connected through a grotesque paranormal underground society.
Whatever those guys are smoking over at Cracked.com is working—this is the fourth good novel from a contributor, following David Wong’s John Dies at the End (2009) and This Book Is Full of Spiders (2012) as well as Wayne Gladstone’s Notes From the Internet Apocalypse (2014). Brockway (Rx: A Tale of Electronegativity, 2013, etc.) takes a less flippant approach to his over-the-top horror show, but humor and verve still bleed through in the voices of his vibrant lead characters. We meet Carey Horton in the beating heart of Manhattan’s punk scene as he and his friends get smashed, thrash their way through concerts, and revel in their squalid DIY existence. But dark forces are awakening in the form of “unnoticeables,” or “empty ones,” which are human shells that now house something…else. “You look for humanity in human-shaped things, and when you don’t find it, your broken, clouded minds just glaze right over it,” one of them tells Carey. “We are like you, but missing your inefficiencies.” He also encounters “tar men,” which are Lovecraft-ian monstrosities with acidic, flammable goo spread over mechanical skeletons. The book leaps between Carey’s youth and the present day, in which we meet Kaitlyn Barr, a cocktail waitress who yearns to become a professional Hollywood stuntwoman. She’s also begun seeing angels, which is making her doubt her sanity. At a party one night, she meets former child star Marco Luis (a thinly veiled doppelgänger of Mario Lopez from Saved by the Bell, which is funny all by itself). When Marco forces a kiss on Kaitlyn, she feels something cold, metallic, and distinctly inhuman slither inside her. Who should rescue her but an aged, alcoholic, and homeless Carey? There’s a lot of cosmic mythology in between about blood rituals and the origins of these surreal angels and demons, but readers will enjoy themselves more if they just kick back and enjoy the wild ride.
A nasty, freaky, and haphazardly funny horror story.Pub Date: July 7, 2015
ISBN: 978-0-7653-7966-5
Page Count: 288
Publisher: Tor
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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