by Robert Burleigh ; illustrated by Wendell Minor ‧ RELEASE DATE: Oct. 1, 2019
An inviting and admiring introduction to an important American artist.
The iconic American illustrator welcomes readers into his home and life.
“Hi, I’m Norman. Norman Rockwell. Come on in.” The creator of over 320 covers for the Saturday Evening Post speaks directly to readers, inviting them into his studio and on to a tour of other studios in his life—his dining room when he was young, neighborhood streets, classroom blackboards, and art school. He tells how he sold his first works, how he got his ideas, and how he used models—adult, child, and even a turkey! Rockwell is known for painting the “ideal aspects” of life, “life like I’d like it to be,” he said, and he received criticism for being old-fashioned and nostalgic, but Burleigh’s Rockwell claims he did change to face the times he lived in. During World War II, he painted his iconic series “The Four Freedoms,” based on President Franklin Roosevelt’s famous speech. And after Ruby Bridges integrated an all-white public school in the 1960s, Rockwell painted the famous, enigmatically titled The Problem We All Live With. Minor uses watercolor, gouache, and pencil to effectively render many of Rockwell’s sketches and paintings and, except for Ruby Bridges, Rockwell’s all-white world.
An inviting and admiring introduction to an important American artist. (further biography, author’s note, illustrator’s note, list of paintings rendered, timeline, reproductions) (Picture book/biography. 5-10)Pub Date: Oct. 1, 2019
ISBN: 978-1-4424-9670-5
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Robert Burleigh ; illustrated by Wendell Minor
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
by Malala Yousafzai ; illustrated by Kerascoët ‧ RELEASE DATE: Oct. 17, 2017
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Malala Yousafzai with Patricia McCormick
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