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NIGHT TRAIN, NIGHT TRAIN

A nostalgic, Depression-era nocturne for train lovers.

A passenger train travels to the city overnight in this rhyming picture book.

On a wordless opening page, a young rider, seated near their teddy, looks out the window as the train travels in the dark. The train (pulled by a Dreyfuss Hudson steam locomotive) takes off, and then rhythmic words chug along: “Train ride! / Bump-bump. / Chug-chug. Slow. / Faster. Faster. / Off we go.” The following double-page spread introduces the refrain: “Night train, night train, hold-on-tight train.” Burleigh replicates the initial meter on the next page as the rider takes in their surroundings. As with the other verses, the refrain changes slightly along with the scenery. The visual structure—two full-page panels bordered by white followed by a double-page spread—repeats in sync with the rhythm of the text. Together, the words and pictures help this train run smoothly. One by one, isolated colors (black, red, blue, etc.) pop into the night world, highlighted in the color of the type that spells out the color’s name and in some feature in the illustration. Some of the instances of color are quite subtle (for instance, the text’s “big blue window” is actually quite small, as it’s viewed from a distance), but, at the same time, such details add to the value of the nightscape. Minor’s black-and-white graphite illustrations intimately capture the shadows and shapes of the train’s night ride, ending in a beautiful full-color double-page spread as night turns to day and the ride is completed, the child and their mother, both white, alighting on the platform.

A nostalgic, Depression-era nocturne for train lovers. (illustrator’s note) (Picture book. 3-6)

Pub Date: Oct. 9, 2018

ISBN: 978-1-58089-717-4

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: July 23, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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