Our most abrasive and challenging postmodernist (Pinocchio in Venice, 1990, etc.) writes at pretty nearly peak level in this mock-epic chronicle of the vagaries of sex, greed, and death in an unnamed midwestern town whose inhabitants are all linked together by their admiration for—or friendship or obsession with—the opaque title character. John is a prominent building contractor, wealthy and successful beyond his envious neighbors' wildest dreams. His gorgeous wife (herself unnamed) ``always seemed,'' we're told, ``to be at the very heart of things in town, an endearing and ubiquitous presence, yet few of the town's citizens, if asked, could have described her.'' Nevertheless, Gordon, the local photographer, surreptitiously snaps pictures of her unawares; Floyd, who manages John's hardware stores, has blunter designs on her beauty; Ellsworth, who edits the Town Crier and nurses artistic pretensions, makes her the heroine of his fondest fantasies; Daphne, her best friend, wonders whether she really knows her at all. The woman makes only teasing, fleeting appearances throughout, and we never come to know her. We are, however, made privy to a rich, raffish cross-section of village life, a generous array of sharply realized characters: Otis the lawman, reluctantly involved with Gordon's notorious wife Pauline, a pathetic victim of childhood sexual abuse for whom a violent fate awaits; ``Mad Marge,'' the woman who can't get along with anybody and perversely decides to run for mayor; and a ragtag collection of hormonally unsettled teenagers whose melodramatic rites of passage are transcribed with delicious wit. It's fun watching Coover pull all this random (and randy) material together, his energy never flagging, as the novel surges toward its extended climax during the town's annual Pioneers Day barbecue—then toward a stunning dÇnouement that expertly plaits together a dozen or more loose ends and offers, for good measure, an unnerving surprise on the very last page. A pitch-perfect, pitch-black comedy, and one of Coover's most elegant and entertaining books yet.
Pub Date: April 1, 1996
ISBN: 0-684-81841-8
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
IN THE NEWS
IN THE NEWS
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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