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TAKE ME WHERE THE GOOD TIMES ARE

The aching verities of a past forever lost are almost too painful to bear in this passionate recording of the pathetic odyssey of an old man. The inmates of Monument City Infirmary (no one says "poorhouses" anymore)- from dying Sweet Mary, rebelliously smoking in bed to Annie, the gentle, mentally retarded daughter of the director- have found a friendly, sympathetic listener in Tommy Bartin, and it is to Tommy that Sweet Mary slips her ragged roll of sixty-three dollars before she dies. Impelled by a sickening rage to catch up with a gang of motorcycling toughs who may have molested trusting Annie, old Tommy takes the money and decides to realize his dream of returning to the Town, to direct his own life. Threads to resuming his place in the town elude him: the factory where he worked for forty-odd years is closed; friends who knew him or his dead wife have died or moved; a former factory mate is insane and suicides. Straining for the vanished props of the past, Tommy drifts from bar to bar, shunned or ignored, finally tricked by the vicious motorcycle gang into desecrating a Memorial Day ceremony. Returned to the Infirmary, Tommy again finds status, but the dream of "the Town" has not vanished — only receded. Some bathos at times, but the boozy bitterness of an old man is vivid and touching.

Pub Date: June 15, 1965

ISBN: 0440210968

Page Count: 232

Publisher: Macmillan

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: June 15, 1965

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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