A road map for effective, well-considered policy.
Classical drama provides crucial lessons for policymakers.
Kaplan has had an impressive career: many years as a journalist reporting on the Middle East, author of numerous books on international affairs, and many years working in high-level think tanks. Consequently, it may seem strange that he begins this meditative narrative with an admission of a mistake that still haunts him. He saw the regime of Saddam Hussein firsthand and believed it was so awful that it had to be removed. Consequently, he supported the U.S. invasion, but the anarchy that followed, he admits, was even worse. This led him to the conclusion that order, even that imposed by dictators, was preferable to chaos in all but a few extreme cases. Kaplan suggests that presidents and policymakers should look to Greek classical dramas and Shakespeare’s plays to understand the importance of considering the consequences of actions and the limits of power. The tragic mind, in this sense, is one that is aware of itself and of the contrariness of human events. He cites George H.W. Bush as the last president with this sort of depth. After him, presidents have been quick to send troops to one hot spot or another, always with good intentions but with little in the way of positive outcomes. Military involvement should be a last resort, used only as a response to true evil, such as the Nazi regime. In fact, the author notes that the idea of evil has been devalued through overuse. “Every villain is not Hitler,” he writes, “and every year is not 1939….Passion should not be allowed to distort analysis, even as social media does exactly that.” Kaplan can often sound pompous and old-fashioned (not a new criticism), but the advice that military actions should be carefully thought through, and then thought through again, should be heeded by anyone who contributes to making life-and-death decisions.
A road map for effective, well-considered policy.Pub Date: Jan. 17, 2023
ISBN: 978-0-300-26386-2
Page Count: 152
Publisher: Yale Univ.
Review Posted Online: Sept. 20, 2022
Kirkus Reviews Issue: Oct. 15, 2022
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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