by Robert Darnton ‧ RELEASE DATE: Sept. 22, 2014
In the current climate of debate over national surveillance, Darnton’s vibrant history takes on particular relevance.
Darnton (History/Harvard Univ.; The Case for Books, 2009, etc.) takes an ethnographic approach in this deeply researched comparative history, examining how censorship functioned in three authoritarian regimes: 18th-century monarchal France; 19th-century India under the British Raj; and 20th-century East Germany.
The author’s surprising discoveries complicate the definition of censorship as repression by a ruling class in its effort to control social order. In Enlightenment France, censors acted as collaborators with authors, taking on the role of peer reader or copy editor to make a manuscript viable for royal privilege—i.e., an official stamp approving publication. These censors, often authors themselves, assiduously carried out their role, and authors often willingly revised their work. “Despite the occasional disputes,” writes Darnton, “censorship…drove authors and censors together rather than apart.” The British in India, in an effort “to understand the Indians, not merely to defeat them,” were intent on gathering information: “Everything was surveyed, mapped, classified and counted, including human beings….The catalogues of books belonged to their effort to catalogue everything.” By monitoring publications, they could detect signs of rebellion. Not until the British noted “explosions of nationalism” in the early 20th century did surveillance lead to police repression and legal prosecution. Authors, publishers and printers were arrested and tried according to newly created laws. In Germany, Darnton talked with two censors and had access to considerable archival dossiers. The censors claimed their job was to publish works that fit into the government’s overall plan: “Censorship as they understood it was positive. In some ways, it was downright heroic—a struggle against heavy odds to maintain a high level of culture while building socialism.” Dossiers reveal the details of that struggle: manuscripts purged of references to individualism; dire restrictions on travel, even within the country; and outright violence. Censorship in East Germany, as elsewhere, involved an interlaced system of authors, editors, bureaucrats, publishers and, not least, readers themselves.
In the current climate of debate over national surveillance, Darnton’s vibrant history takes on particular relevance.Pub Date: Sept. 22, 2014
ISBN: 978-0-393-24229-4
Page Count: 304
Publisher: Norton
Review Posted Online: June 11, 2014
Kirkus Reviews Issue: July 1, 2014
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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