by Robert Darnton ‧ RELEASE DATE: Feb. 1, 2021
General readers seeking enlightenment should skip the middle 75% of the book and go read Voltaire.
A dusty window into the obscure world of the burgeoning publishing industry in 18th-century France and its environs.
At the time, the regulation of the industry and the resulting economics engendered a new enterprise: pirate publishing. Only a narrow band of elites could afford to produce and buy books, an economic reality that created a market ripe for counterfeiting. Without copyright laws, however, it was not technically illegal to reproduce these works outside of France. Thus began the “Fertile Crescent” of underground bookmaking. “From Amsterdam to Brussels, through the Rhineland, across Switzerland, and down to Avignon, which was papal territory in the eighteenth century, publishers pirated everything that could be sold with any success in France,” writes Darnton. “The foreign houses also produced everything that could not get past censors employed by the French government.” Though these literary bandits operated legally within their own countries, as soon as they smuggled their goods into France, they were on the wrong side of the law. In this erudite yet dry text, Darnton seems to have included every detail that emerged from his meticulous research, devoting attention to every book deal that did, or did not, occur for authors both familiar and unknown. Darnton offers some intriguing economic insights, though few are unique to the publishing industry. Still, literary-minded readers will be impressed with the process by which a small number of men and women transformed a small book club for nobles into the massive cultural force that we know today. To be sure, many were just trying to make a living, but we owe them a great debt nonetheless. Unfortunately, the dense scholarly prose may fail to capture an audience beyond academics and students of the business of the Enlightenment.
General readers seeking enlightenment should skip the middle 75% of the book and go read Voltaire.Pub Date: Feb. 1, 2021
ISBN: 978-0-19-514452-9
Page Count: 392
Publisher: Oxford Univ.
Review Posted Online: Nov. 24, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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