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THE FUNHOUSE MIRROR

REFLECTIONS ON PRISON

Not a tremendously hopeful work, but Gordon's audaciousness in regarding the condemned as creative citizens is memorable and...

A surprising—and frequently searing—examination of the prison experience, seen from both inside and out.

Novelist Gordon (When Bobby Kennedy Was a Moving Man, 1993) ran intensive writing workshops in Washington State prisons for nine years, until funding was ignominiously truncated. He initially explores the contemporary explosion in incarceration, noting that imprisonment rates have doubled in the last decade, even while the American people are "in no hurry to lay claim to the prisoners in our midst." As implied by his title, he views this reluctance to consider the realities of the imprisonment surge as akin to willful blindness in the face of a ghastly, distorted civic reflection. In contrast, his enthusiasm for his prison teaching experience is palpable: he offers strong tales of prisoners who found release and grace in writing, and discovered the joys of its inherent craftsmanship. Gordon maintains a wry, informed stance that strengthens his arguments regarding prisoner humanity and the pure (and vicious) moral relativism that prisons breed—particularly in the "get-tough" era, when even education and the simplest privileges are stripped away. Additionally, he culls a variety of memorable pieces in distinctive voices from the current and former prisoners he's taught. Yet their writing surges with edgy awareness and hard-won insights: memorable essays range from an attempted murderer's chillingly humorous tips on prison survival ("Commit an Honorable Crime . . . Keep a Good Porn Collection") to a twice-convicted rapist—now held indefinitely according to new Orwellian notions of civil commitment—recounting the violence and contempt accorded sex offenders (who stand lowest on the convict pecking order, along with snitches). Gordon's finely honed stance is most haunting: he draws difficult conclusions regarding the humanity of his charges, he portrays their absurdist moments of honesty or altruism, and he testifies convincingly about the power of writing to foster discipline and engagement with the world—perhaps to stifle criminal nihilism.

Not a tremendously hopeful work, but Gordon's audaciousness in regarding the condemned as creative citizens is memorable and gripping.

Pub Date: Aug. 1, 2000

ISBN: 0-87422-198-6

Page Count: 128

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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