Next book

HEARTBREAKER

A California playboy, a pair of homicidal hustlers, and a feisty but beautiful marine biologist all make trouble for an ex-cop who wants revenge on the southern-fried drug dealer who killed his partner. Departing from the four-book series featuring magazine journalist Quinn (Horse Latitudes,1990, etc.), Ferrigno comes up with Val Duran, a likable, wisecracking, Elmore Leonard’style action hero. White-trash Miami druglord Junior Mayfield suspects that Duran just might be an undercover cop, though the hired goons who torture and murder Val’s partner can—t get him to confirm it. Duran dispatches the goons, then flees to L.A., where he gets a job acting as a police-procedures consultant on some cheap Hollywood action films. He encourages Junior to try to find him by appearing as a guest on Jeopardy—Junior’s favorite TV game show—then using Junior’s name as the wrong response. Meanwhile, Charles “Kilo” Abbott III, a dissolute southern California playboy, turns to his advantage what might have been a brutal robbery by red-haired, sadistic femme fatale Jackie and her masochistic muscleman, Dekker, by hiring them to murder his stepmother Gwen, who stands in the way of Kilo inheriting his doddering father’s millions. Doing his laundry on a Saturday night, who should Val meet but Kyle Abbott, a gorgeous, sexually aggressive marine biologist (and stepsister to Kilo) who just might be the woman he’s been looking for all his life. Ferrigno tangles subplots as these numerous string-pullers run afoul of each other. Deliberately skewed dialogue and screwball plot twists tend to undermine the sense of menace that would make the requisite violence and derring-do believable. It matters little, in the end, that Duran’s schemes have only made it easier for others to involve him in theirs. Tightly written but uneven, with an uncomfortable mix of over-the-top comic plotting and tough-guy machismo in a surrealistic SoCal setting.

Pub Date: May 1, 1999

ISBN: 0-375-40124-5

Page Count: 320

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

Awards & Accolades

Likes

  • Readers Vote
  • 228


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 228


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview