A favorite Frost poem reveals how serendipitous choice affects a lifetime.
Robert Frost’s familiar 1915 poem presents enigmatic choices for an elementary-age boy.
A red-haired elementary-age boy trekking through golden woods with a beagle comes to a place where “two roads diverged.” Wishing he could “travel both,” the boy studies one road and then chooses the less-worn path, opting to keep the other road for “another day,” knowing he’s unlikely to “ever come back” and taking the road “less traveled by” could “make all the difference.” Richly hued illustrations in a palette of yellows and blues rely on simple rounded shapes, flat patterns, varying perspectives, and single- and double-page spreads to provide a possible context for Frost’s spare verse. Dwarfed by stylized trees resembling giant yellow toadstools, the boy begins his journey wearing a striped hoodie, blue backpack, jeans, and red boots. An impressive treetop view shows boy and beagle confronting the diverging path, emphasizing the magnitude of choice. The boy picks up fallen leaves, ponders two unknown roads, selects a leaf for his backpack, and proceeds along his chosen path. As he journeys, scenes from his ensuing life unfold, carrying him from childhood to becoming a young man with a family and eventually an elderly man, still musing about the choice he made in the woods that indeed changed everything. Inexplicably, his hair darkens from red to brown with a single page turn, which is likely to befuddle more than one reader.
A favorite Frost poem reveals how serendipitous choice affects a lifetime. (Picture book. 4-8)Pub Date: March 1, 2019
ISBN: 978-1-64170-107-5
Page Count: 32
Publisher: Familius
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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